Gloria Swanson twenties fashion
by Jerzy Czyz
Title
Gloria Swanson twenties fashion
Artist
Jerzy Czyz
Medium
Digital Art
Description
A silent screen legend and the epitome of early Hollywood glamour, actress Gloria Swanson rose to great heights in the 1920s, only to struggle like many of her day did once the age of talkie films took hold. But unlike her silent film contemporaries, Swanson had a trick or two up her sleeve and delivered a powerful, Oscar-nominated performance as the delusional Norma Desmond in Billy Wilder's "Sunset Boulevard" (1950), widely considered to be the greatest film noir ever made. Prior to that triumph, Swanson had reigned supreme during the silent era as a top actress whose elaborate feathered boas and bejeweled headdresses were the height of fashion. She first achieved stardom in several of Cecil B. DeMille's bedroom farces like "Don't Change Your Husband" (1919) and "Why Change Your Wife?" (1920) before making a series of dramas that propelled her to the top. Mid-decade, Swanson became one of the most famous stars in the world thanks to roles in "Zaza" (1923), "Madame Sans-Gene" (1925) and "The Untamed Lady" (1926). Prompted to break out and produce her movies independently, Swanson staggered a bit with the production-plagued "The Love of Sunya" (1927), but rebounded with "Sadie Thompson" (1928) - her last critical and financial hit until "Sunset Boulevard." Swanson remained until her death in 1983 a true Tinseltown legend.
Born on March 27, 1899 in Chicago, IL, Swanson was raised in a strict Lutheran home by her father, Joseph, an Army officer, and her mother, Adelaide, who took care of her only child by herself while Joseph was stationed overseas. She also moved around, living in such far flung places as Puerto Rico and Key West. Almost on a whim, Swanson entered into the entertainment industry by way of becoming an extra for a small production company in Chicago called Essanay Studios in 1913, where she worked alongside future comedy icon, Charlie Chaplin, in such silent shorts as "His New Job" (1915). After leaving school to focus on acting fulltime, Swanson married fellow Essanay actor Wallace Beery and moved to Hollywood, where they were both hired by Mack Sennett's Keystone Company. Her brief marriage to Beery was fraught with peril, however, when Swanson later revealed in her autobiography that her new husband had gotten drunk on their wedding night and raped her. When they later discovered that she had become pregnant, Beery tricked Swanson intro drinking a concoction that induced an abortion. Though separated after a few months of being married, the two continued to work together and were officially divorced in 1919.
After appearing in a series of Mack Sennett's romantic comedies at Triangle, Swanson moved to Paramount, only to find her way back to Triangle where she began starring in dramas like "Society for Sale" (1918), "Shifting Sands" (1918) and "The Secret Code" (1918). But she soon left Triangle to head back to Paramount again, only this time she joined Cecil B. DeMille's unit and achieved stardom in the director's snappy, sophisticated bedroom farces like "Male and Female" (1919), "Don't Change Your Husband" (1919), "Why Change Your Wife?" (1920) and "The Affairs of Anatol" (1921). In short order, Swanson had become a bona fide star and one of Hollywood's most in-demand actresses. Moving away from DeMille, Swanson made a series of films with director Sam Wood, including "Under the Lash" (1921), "Her Gilded Age" (1922) and "Beyond the Rocks" (1922), which also starred her long-time friend Rudolph Valentino. Meanwhile, her tumultuous personal life continued unabated when she married restaurateur, Herbert Somborn, in 1919, only to see him file for divorce a year into their marriage after he discovered her affair with director Marshall Neilan.
During the height of her fame, audiences were enthralled with Swanson's lavish wardrobe - which often entailed ostrich feathers, jeweled headdresses and the like - as much as they were with her performances. By the mid-1920s, the larger-than-life Swanson was at the peak of her popularity, starring in such lavish vehicles as "Bluebeard's Eighth Wife" (1923), "Zaza" (1923), "Madame Sans-Gene" (1925), and "The Untamed Lady" (1926). She traveled to Paris to film "Madame Sans-Gene" and returned to the United States with her third husband, Marquis de la Falaise de la Coudraye. Married in 1925, she returned home to a royal reception that included parades in New York and Los Angeles. Meanwhile, she finished out her Paramount contract with "Stage Struck" (1925) and "Fine Manners" (1926), and turned down a million dollar to strike out on her own and have her films distributed by United Artists. The first was the production plagued drama "The Love of Sunya" (1927), which ran way over budget because of problems trying to secure competent cameramen. Following this failure, Swanson tackled more controversial material with "Sadie Thompson" (1928), playing a prostitute who encounters a zealous missionary (Lionel Barrymore) on the island of Pago Pago. Though she ran afoul with censors prior to the film's production, Swanson nonetheless had a critical and financial hit, and earned an Academy Award nomination for Best Actress.
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April 26th, 2020
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